the jewel Replica Cartier Santos watches

A sapphire almost as big as a table tennis ball, a sly 152.35-carat cabochon sapphire. A diamond-studded cheetah stands majestically on the sapphire, and the leopard is dotted with cabochon sapphire spots. The mystery shopper who customized this art treasure and her husband fascinated the jewel Replica Cartier Santos watches, while Jeanne Toussaint (1887-1976), Cartier’s senior jewellery director, watched her masterpiece on the other side of the table. She injected a life into this jewel cheetah. While the customer was delighted and shocked, the representative, Jeanne Toussaint, was completely successful. This customer is the famous Duchess of Windsor (1895-1986), a woman who caused a turbulent storm in the British throne in 1936. Jewelry Story: The Origin of Cartier and Cheetah, Speaking from the Sapphire Cheetah Brooch of the Duchess of Windsor in 1949 Ms. Jeanne Toussaint (1887-1976) Cartier Senior Jewelry Creative Director Paris, 13 Peace Street, 1949 The Duchess of Windsor is left to everyone with her ‘legendary’ style. Cinderella, who has been ruined from her homeland, has become an enviable lord of the Duchess, and her love story with the Duke of Windsor has been passed down to this day. In 1936, the first gift from the Duke of Windsor to the Duchess of Windsor was the gold stamp ring set by Cartier’s red sapphire. Later, he also gave the Duchess of Windsor a jewel box with 57 pieces of Cartier jewelry. Because the Duchess of Windsor has always treasured a brooch made of diamond-encrusted ‘Cheetah’ and 152.35-carat round sapphire, Cartier’s classic ‘Cheetah’ series of jewelry is the most It can show the unique ‘legendary’ style of the Duchess of Windsor. At about the same time a year ago, the two women met for the first time to discuss the idea of ​​creating a theme with cheetah Replica Cartier Santos. At that time, the Duchess of Windsor had just purchased a 116.75-carat rectangular emerald. Jeanne Toussaint designed a brooch for this emerald: a cheetah made of gold sits on top of the gemstone, and the leopard is covered with black spots. The Duchess and her husband, the former King of England Edward VIII (1894-1972),

the jewel Replica Cartier Santos watches

both loved this jewellery treasure. However, a new challenge has emerged: to design a cheetah that is completely inlaid with rare gems, the way in which it is set and the texture of the craft must present the soft muscles and postures characteristic of the feline. This piece will create a historical monument for the deep roots of Cartier and Cheetah. Jewelry Story: The Origin of Cartier and Cheetah, Speaking from the Sapphire Cheetah Brooch of the Duchess of Windsor in 1949 ‘Lady and Cheetah’ invitation card George Barbier, 1914 The origins of Cartier and cheetah began in 1914, when Louis Cartier (1875-1942) commissioned the illustrator George Barbier to design an invitation with the theme ‘Ladies and Cheetahs’. card. George Barbier used the late Belle poque style to paint a young woman dressed in a pleated skirt designed by Paul Poiret, and a cheetah fell to her feet. In the same year, the black and white leopard print became one of Cartier’s decorative elements, appearing on two women’s watches designed in 1914 and 1915. Two years later, Ms. Dusan, who was already a member of the Louis Cartier social circle, took the lead in purchasing a dressing box with a cheetah. At that time, the cheetah was presented in a clear and realistic form, but it was only a plan view, and it appeared in a complete three-dimensional posture almost thirty years later.杜·Dusan and Louis Cartier met at the beginning of the First World War and entered Cartier in 1933 and were appointed as Senior Jewelry Directors. These two events played a key role in the creation of the cheetah.贞·Du Sang is an independent woman with free thoughts and loves art. My relatives and friends call her ‘the lady of cheetah’. On her floor in the Parisian residence, she is decorated with a luxurious cheetah leather carpet Best Replica Cartier. 贞·Du Sang loves this delicate fur very much, however, with her personal desire to design a treasure of jewels and the desire of the Duchess of Windsor to wear it, without the artist and designer Peter Le Masan ( The involvement of Peter Lemarchand) (1900-1970) is still not enough to inspire her to inject vitality into the cheetah brooch in 1949. Peter Lemachan worked in Cartier in 1927. In the years following the Second World War, Peter Lemasan changed the design of animal jewellery deeply: contrary to the tradition of the form of restraint, he used the minimalist style of the Art Deco era to give them three-dimensional dynamics. His design is more natural, combining the craftsmanship of jewelers and the craftsmanship of the craftsmanship, allowing the animal totem to move from a flat surface to a fully stereoscopic active form. In 1952, the Duchess of Windsor ordered another cheetah jewellery treasure inlaid with onyx and diamonds. Cartier’s talented designers take design to new heights, this time the cheetah becomes an active bracelet. When the bracelet is fully unfolded, it looks like a cheetah lying down, but when the Duchess wraps it around the wrist, it shows incredible softness. Jewelry Story: The Origin of Cartier and Cheetah, Speaking from the Sapphire Cheetah Brooch of the Duchess of Windsor in 1949 Cartier Cheetah series, jewellery workshop The cheetah has gained vitality and is still one of the representative totems that Cartier admires today. This sapphire cheetah brooch, over 152.35 carats, returned to Cartier at the 1987 Sotheby’s in Geneva. Now, this rare jewelry treasure has become one of the most precious works in the Cartier art collection.

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